Books by Dale Harris

Books by Dale Harris
A Feast of Epiphanies

Though I Walk, A Novel

Daytime Moons and Other Celestial Anomalies, a book of poems

Second Wind

Second Wind
An album of songs both old and new. Recorded in 2021, a year of major transition for me, these songs explore the many vicissitudes of the spiritual life,. It's about the mountaintop moments and the Holy Saturday sunrises, the doors He opens that no one can close, and those doors He's closed that will never open again. You can click the image above to give it a listen.

The Song Became a Child

The Song Became a Child
A collection of Christmas songs I wrote and recorded during the early days of the pandemic lockdown in the spring of 2020. Click the image to listen.

There's a Trick of the Light I'm Learning to Do

This is a collection of songs I wrote and recorded in January - March, 2020 while on sabbatical from ministry. They each deal with a different aspect or expression of the Gospel. Click on the image above to listen.

Three Hands Clapping

This is my latest recording project (released May 27, 2019). It is a double album of 22 songs, which very roughly track the story of my life... a sort of musical autobiography, so to speak. Click the album image to listen.

Ghost Notes

Ghost Notes
A collections of original songs I wrote in 2015, and recorded with the FreeWay Musical Collective. Click the album image to listen.

inversions

Recorded in 2014, these songs are sort of a chronicle of my journey through a pastoral burn-out last winter. They deal with themes of mental-health, spiritual burn-out and depression, but also with the inexorable presence of God in the midst of darkness. Click the album art to download.

soundings

soundings
click image to download
"soundings" is a collection of songs I recorded in September/October of 2013. Dealing with themes of hope, ache, trust and spiritual loss, the songs on this album express various facets of my journey with God.

bridges

bridges
Click to download.
"Bridges" is a collection of original songs I wrote in the summer of 2011, during a soul-searching trip I took out to Alberta; a sort of long twilight in the dark night of the soul. I share it here in hopes these musical reflections on my own spiritual journey might be an encouragement to others: the sun does rise, blood-red but beautiful.

echoes

echoes
Prayers, poems and songs (2005-2009). Click to download
"echoes" is a collection of songs I wrote during my time studying at Briercrest Seminary (2004-2009). It's called "echoes" partly because these songs are "echoes" of times spent with God from my songwriting past, but also because there are musical "echoes" of hymns, songs or poems sprinkled throughout the album. Listen closely and you'll hear them.

Accidentals

This collection of mostly blues/rock/folk inspired songs was recorded in the spring and summer of 2015. I call it "accidentals" because all of the songs on this project were tunes I have had kicking around in my notebooks for many years but had never found a "home" for on previous albums. You can click the image to download the whole album.

Post-Mod-what-ity?

No review of my studies at Briercrest would be complete without uttering the "p-word" at least once. Questions about post-modernity came up a lot in my courses: What does it mean for the church? What does it mean for ministry and mission? What does it mean for faith and theology? What kind of response should Christians make to it?

And what ever happened to absolute truth?

I don't think of myself as especially post-modern; but this mostly because I don't find the term itself all that useful, and I tend to resist labeling myself (or others) on principle. (Some would take this as a sure sign that I'm more post-modern than I care to admit.)

Anyways, pre-, mid- or post-modern as they may be, here are some thoughts from a paper I wrote looking at ministry in a post-modern world.

Regardless of one’s opinion of the so-called “post-modern ethos,” any attempt to explore the challenges of evangelism and mission in the twenty-first century must eventually acknowledge and make some kind of response to it. Though the term “post-modern” itself is admittedly difficult to define, in his Primer on Postmodernism theologian Stanley Grenz offers a helpful framework for understanding its significance: “Whatever else it might be ... postmodernism signifies the quest to move beyond modernism”. It eschews the “myth of inevitable progress,” “refuses to limit truth to its rational dimension,” “dethrones the human intellect as the arbiter of truth,” and rejects the “Enlightenment belief that knowledge is objective.” Adding his voice to the call of other Christian analysts of post-modernity, Grenz urges his readers to “appraise any new ethos that shapes the culture in which God calls believers to live as his people,” and to ask how we can “express the gospel in categories of the new social context”
Grenz’s own answer to that question—that Christians must embody the gospel “in a manner that is post-individualistic, post-rationalisitc, post-dualistic and post-noeticentric”—points to the possibility of proclaiming a vital and vibrant Gospel to a new generation. Such suggestions find notable similarities in the portrait of post-modern evangelism that Robert Webber paints in Ancient Future Evangelism. In brush-strokes similar to Grenz’s “post-rationalism” and “post-noeticentrism,” Webber pictures post-modern evangelism as a “display” as opposed to an “argument”—an invitation into “a community that is shaped by a tradition of worship, discipleship, Christian formation, and vocation.” Similarly, Webber echoes Grenz’s “post-individualism” when he describes worship as a dialogue between God and the community of God’s people. Rejecting the ego-centric, experiential nature of much contemporary worship, Webber argues instead that the Church’s worship must have a specifically missional focus: “Worship is not about me and my experience; it is about God and God’s mission to save humanity and to rescue the world through Jesus Christ’s death, resurrection, and coming again.” With Grenz, Webber is also emphatically “post-dualistic” in his vision for evangelism. He diagnoses much contemporary Christianity with an “incipient Gnosticism” that functionally denies the goodness of creation, bodily salvation, and the biblical truth that the work of Christ extends to all creation, and reflects instead “our individualistic, rationalistic and nonembodied modern view of Christianity.” The lesson here for the church is that evangelism must start “with God’s act of creation, with God’s love of creation, and with God’s intent to rescue the created order.”

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