Books by Dale Harris

Books by Dale Harris
A Feast of Epiphanies

Though I Walk, A Novel

Daytime Moons and Other Celestial Anomalies, a book of poems

Second Wind

Second Wind
An album of songs both old and new. Recorded in 2021, a year of major transition for me, these songs explore the many vicissitudes of the spiritual life,. It's about the mountaintop moments and the Holy Saturday sunrises, the doors He opens that no one can close, and those doors He's closed that will never open again. You can click the image above to give it a listen.

The Song Became a Child

The Song Became a Child
A collection of Christmas songs I wrote and recorded during the early days of the pandemic lockdown in the spring of 2020. Click the image to listen.

There's a Trick of the Light I'm Learning to Do

There's a Trick of the Light I'm Learning to Do
This is a collection of songs I wrote and recorded in January - March, 2020 while on sabbatical from ministry. They each deal with a different aspect or expression of the Gospel. Click on the image above to listen.

Three Hands Clapping

Three Hands Clapping
This is my latest recording project (released May 27, 2019). It is a double album of 22 songs, which very roughly track the story of my life... a sort of musical autobiography, so to speak. Click the album image to listen.

Ghost Notes

Ghost Notes
A collections of original songs I wrote in 2015, and recorded with the FreeWay Musical Collective. Click the album image to listen.

inversions

inversions
Recorded in 2014, these songs are sort of a chronicle of my journey through a pastoral burn-out last winter. They deal with themes of mental-health, spiritual burn-out and depression, but also with the inexorable presence of God in the midst of darkness. Click the album art to download.

soundings

soundings
click image to download
"soundings" is a collection of songs I recorded in September/October of 2013. Dealing with themes of hope, ache, trust and spiritual loss, the songs on this album express various facets of my journey with God.

bridges

bridges
Click to download.
"Bridges" is a collection of original songs I wrote in the summer of 2011, during a soul-searching trip I took out to Alberta; a sort of long twilight in the dark night of the soul. I share it here in hopes these musical reflections on my own spiritual journey might be an encouragement to others: the sun does rise, blood-red but beautiful.

echoes

echoes
Prayers, poems and songs (2005-2009). Click to download
"echoes" is a collection of songs I wrote during my time studying at Briercrest Seminary (2004-2009). It's called "echoes" partly because these songs are "echoes" of times spent with God from my songwriting past, but also because there are musical "echoes" of hymns, songs or poems sprinkled throughout the album. Listen closely and you'll hear them.

Accidentals

Accidentals
This collection of mostly blues/rock/folk inspired songs was recorded in the spring and summer of 2015. I call it "accidentals" because all of the songs on this project were tunes I have had kicking around in my notebooks for many years but had never found a "home" for on previous albums. You can click the image to download the whole album.

Random Reads

Rimbaud and the Resurrection

I’ve been trying to brush up on my French these days, and, as my daughter’s Caillou books were starting to leave me flat, I slugged my way through Arthur Rimbaud’s Une Saison en Enfer (this is partly so I can drop pretentious sounding references to Rimbaud at my next cocktail party; but mostly because my niece and nephew have been blessed with a bilingual home, and as they grow older, I’m seeing that my facile conversations with them about colours and numbers won’t cut it much longer. Maybe by the time they’re old enough to discuss Rimbaud, my French will be sharp enough give it a try…). Anyways, I didn’t take a lot from it, but the last phrase of his extended poetical rant has been haunting me for a while now: il me sera loisible de posseder la verite dans une ame et un corps. “It will now be permitted to me to possess truth in one soul and one body.”

Here’s the thing (I think): Most of us could probably get how we might possess “truth” "in the soul.” Most of us are Platonic dualists at heart—what’s truly true is not the touchable matter out there (in the body)—to find the “truly true” you have to journey inward (in the soul). I used to teach this with great enthusiasm when my English classes studied Heart of Darkness. I read the same thing in Wal-Mart yesterday when I happened to thumb through a popular-level book on eastern meditation in the discount bargain bin. But I think that way lies madness (of sorts)—and I think Rimbaud knew it. And so he denounces all such dualisms, and ends with a vision of truth “in one soul and one body” together.

And I’m left wondering, in what way can truth be possessed in the body. Can this actual flesh… these hands, these senses, this coursing blood… can it somehow be said to be somehow true? For Rimbaud, the journey away from spirit/matter dualism led him through a hell of futile debauches and empty sensuality.

But there is a different path.

It’s an inevitable path that leads down from a skull-shaped hill to a burst-open tomb, gaping wide and empty one Sunday morning. And the resurrected body that steps out of that tomb—the one who claimed before they murdered him that he was the truth incarnate—he reaches out his resurrected hand to us and says: “Put your finger here, and see my hands; and put out your hand, and place it in my side. Do not disbelieve, but believe.” With a sweep of that nail-pierced hand, Jesus brushes aside Plato and Rimbaud together. And he points us outside of ourselves, to the Creator’s world broken and labouring, but now claimed by its maker and promised redemption.

And as we touch his glorified body—our hope and our promise—we can really say, in a way that Rimbaud never could: il me sera loisible de posseder la verite dans une ame et un corps.

 

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