There's a Trick of the Light I'm Learning to Do, a song
Labels: depression, songs
Notes from the Ashes, Part VI: A Gift Wrapped in Barbed Wire
It was a dreary morning in December, only a few days after my doctor had put me on "reduced duties" because of symptoms related to work-place stress, and I was walking my then ten-year-old daughter to her bus stop. I was miserable, with this weight of discouragement and defeat and despair hanging around my heart like a leaden albatross. To paraphrase Augustine only a little bit: my soul was curved hopelessly in on itself.
As we walked, my daughter was saying something I was barely hearing about the song-writer's club at school. As I gradually came to and it sort of dawned on me that she was talking to me, I heard her say something about how she was looking forward to the day because the song-writer's club was happening at lunch. I asked a few questions and found out that her school had this group of kids that got together each week and, with the help of the teacher sponsors, learned how to write songs.
I write songs-- or I used to--but at that point, in the gloomy days right before Christmas 2013, it had been at least two years, maybe more, since I'd put pen to paper. I never felt like I had the time. Or the energy. Or the inspiration. And anyways, what's the point?
One of the first things depression steals from you, I've since learned, is your ability to find joy in things that were, once-upon-a-time, joyful. I've come to take this as a bit of a heart-barometer for me: when things that should be giving me joy feel like drudgery, it's time to take stock and/or a breather. But this is now, and that was then, and like I say, my daughter mentioned the songwriters club at school and I thought, "Man, it feels like ages since I've even wanted to write a song, let alone had something to write about."
And so I told my daughter that I'd be interested in volunteering at the club, if the teachers would let me. She said she'd ask at school that day.
Things progressed for me pretty quickly from there, as far as my burnout was concerned. My "reduced work duties" turned into a full-on stress leave. A lot of things came crashing down that I'd been clinging to, to keep me standing; some of my favorite masks to wear came off; and some of the emotional immaturity that I'd been trying hard to hide for a long time finally came out into the light.
But also: I started volunteering at the songwriter's club, where I found the energy, the time, and especially the inspiration to start writing songs again. Not to sound too melodramatic, but in the midst of my defeat and despair--often because of my defeat and despair--I found something to sing about, and more importantly, the words to sing about it.
I didn't see it coming, but those three months, January to March, 2014, would turn out to be one of the most creative seasons of my life. It was not a bright cheery kind of creativity, mind you. It was often a raw, unpolished, haunted kind of creativity, but because of that, a more honest creativity than I'd ever really experienced before. The songs didn't necessarily gush out of me--I was still very tired a lot of the time--but even so, I wrote at least twelve complete songs in three months, along with a number of arrangements that I worked on for the kids at my daughter's songwriter's club. Besides that, I also wrote a handful of poems, trying to process what I was going through, and, in the second half of my leave, as I felt my energy and optimism returning, four chapters of a novel that I'd been wanting to get to for years.
I'm sharing all this to illustrate one of the paradoxical truths I discovered about burnout. I haven't done an quantitative study of it, of course, so I can't say if this is true for everyone who goes through it, but it was certainly true for me (and for the record, most of the books on pastoral burnout that I've read more or less bear out this simple observation): burnout doesn't only steal; it also gives.
At least, if you take it seriously and get the help you need, it can. Burnout can be a profound gift-- a gift wrapped in barbed-wire, you might say, but a gift nonetheless.
I say this as someone who's been through it, and not at all to make light of the struggle, the darkness, the very real risk to your well-being that is burnout; but as someone who has been through it, I don't want to make light of the gift that's there, either.
What, in particular, did burnout give me? I mentioned the renewed and deepened wells of creativity. I'd add to that: greater authenticity and transparency in my ministry; better insight as a pastor into the spiritual and emotional struggles of others; greater wisdom in how to love and help and respond to people as they go through them; more real friendships; a deeper relationship with my wife; empirical evidence that God will be there still, on the other side of the dark night of the soul.
It may be that burnout is just a conceptual thing for you today, something you've only read about but never experienced. It may be that you've come through burnout yourself, and what I'm saying is resonating with you here. And, of course, it may be that you're right in the middle of something overwhelming today, like I was back in December 2013, and you're wondering if it could possibly get better.
If you're in that third place, let me say that it can. It will mean taking it very seriously and getting the help you need, it will take honesty and discipline and, especially, God stepping in, but it can become, not just better, but, when you least expected it to be so, an unlikely and beautiful gift.
Labels: burn-out, depression, from the ashes, ministry, work
The Clock of the Long Now, a song
From the first time I heard about it, I've always thought there was a song in there, somewhere, waiting to be sung. And last year, when my heart sort of entered this surreal place where life itself seemed like an interminable now, it was very cathartic to finally find the time to sit down and write it.
Here's what I came up with:
World’s turning in a time lapse freeze frame
Capturing the moment on the face of the clock of the
Long now, ticking in the dark of the
Long night of the soul and
It’s of the essence it’s on our hands it
Heals all wounds it waits for no man
Somehow you got stuck in the middle of a
Long now (how time flies)
We had forever burning in our hearts
Warming our hands in the flickering light
There’s time to scatter stones
And to gather them again
Time to tear and time to mend
You know I’d turn back the hands if I knew how
To wind the clock of the long now
Yesterday, today tomorrow
Time slips by it’s running to a stand still
Life in beautiful motion
Pictures (thaw the freeze frame)
A day with you is like a thousand
Years are flying by like restless
Days ago I thought I saw
Eternity in your eyes
We had forever burning in our hearts
Warming our souls in the flickering light
There’s time to scatter stones
And to gather them again
Time to tear and time to mend
You know I’d turn back the hands if I knew how
To wind the clock of the long now
Ticking in the dark it’s ticking in the dark it’s
ticking in the dark of the night of the long now (x4)
I thought I heard a thief knocking on my door
I thought I saw the sky turn red last night
Powers shaking the stars were falling
An angel calling in my dreams last night
There’s time to scatter stones
And to gather them again
Time to tear and time to mend
You know I’d turn back the hands if I knew how
To wind the clock of the long now
Labels: depression, music, songwriting
The Uncanny Valley
And while I blog through thoughts, observations and lessons learned regarding pastoral burnout (see last week's post), I thought I'd also take some time to blog through my most recent musical project, inversions. This is a collection of songs I wrote during the dark time, many of them efforts to process what I was going through, others expressing hope for healing on the other side. You can check out the whole recording on Bandcamp [click here].
In the field of aesthetics, "the uncanny valley" describes the vague repulsion that people experience when something "unreal" is extremely close to life-like, but not quite alive. The idea is, if you could graph people's comfort level on the y-axis, with an object's life-likeness on the x, the line would ascend until it reached the just-about-but-not-quite-life-like point, at which point it would drop off sharply into the "uncanny valley."
To me, the concept of the "uncanny valley"--being in an emotional valley because what you're experiencing is only life-like enough to cause distress--was a pretty vivid image for my burn-out experience. It's like wandering this realm where things seem real, but the vitality and vividness is missing from it all, so it's only real enough to be vaguely disturbing. I wrote "The Uncanny Valley" early on in my burn-out time, trying to get some handles on it all.
You’ve been wandering around the uncanny valley
Looking for a place to crash
Like a stolen purse in a blind back alley
Your story is out of cash
And it’s a long way up
Climbing straight to the top
There’s flooding down here in the uncanny valley
And the levee’s about to break
Like a cardboard sign in an occupy rally
The truth is hard to fake
And it’s a long way down
Better try not to drown
And if I had the choice I’d build on higher ground
Where you can see blue sky for days (and days and days)
And if I knew the way I’d bring you with me too
We’d stand there blinking blind beneath her sunny rays
But it’s a long way up
Climbing straight to the top
La la, la la la la la la, la la la la la la la la
Soon we’ll be standing in the the sun, singing
La la, la la la la la la, la la la la la la la la
Just one more ridge and we’ll be done
You’ve been hovering around the uncanny valley
Looking for a place to land
Like a Don Giovanni in his grand finale
You’re standing on sinking sand
And it’s a long way home
Fingers worn to the bone
And if I had the choice I’d build on level ground
Where there is room to spare for miles (and miles and miles)
And if I had a plan I’d build a room for you
Where you could hang your hat and rest there for a while
But it’s a long way home
Fingers worn to the bone
La la, la la la la la la, la la la la la la la la
Soon we’ll be standing in the the sun, singing
La la, la la la la la la, la la la la la la la la
Just one more ridge and we’ll be done
Labels: burn-out, depression, music, songwriting
Notes from the Ashes (Part I): Some Reflections on Pastoral Burn-out

After a few months of being like this, it all came to a head one very dark Sunday evening, when an unexpected email from a well-meaning friend expressing some concerns about my ministry, launched me into a startlingly intense and disproportionate explosion of frustration, fear and despair. I say “startling” because when the storm passed, the uncontrollable eruption of emotion was so alarming to me that I finally admitted to myself, and my wife, that I needed help.
If any of this is resonating with you today, let me encourage you to take it seriously. One of the other things I learned about burn-out is that there's sort of a lag-time with it—that is, often we are burned out months before the "running on adrenaline" catches up to us and we finally have to admit that the tank is empty, so the sooner we're honest with ourselves, the better.
Burn-out is not the end of the world, but it is the end of some things—a false kind of self-sufficiency, an unrealistic perception of yourself and your limits, in-authenticity and dishonesty about where you're really at with God. But as someone who's been through it, let me humbly suggest that for us to grow in the ways of Jesus, the sooner those things come to an end, the better.
Labels: burn-out, depression, from the ashes, ministry