The Top Five Oddest Movies I'm Glad I Can't Forget

A couple of years back, after an extended stint of picking some doozies, I was banned for a while from choosing the movie when we rented videos for a movie night (I think Anaconda was the pick that finally got my video-choosing license suspended for a while). It's not so much that I have bad taste, but I'm usually a sucker for an intriguing idea, however poorly executed, or an exotic setting, however dull the action taking place there. With this disclaimer up front, I've put together a list of the top five oddest movies I'm glad I can't forget. By "oddest" here I mean both that the movie concept itself was oddly unique, and that it's odd the movie should have etched itself into my imagination the way it has.

(On a side note, in his book Through a Screen Darkly, Jeffry Overstreet talks eloquently about the spirituality of films, and the unique way in which this particular art medium can act as a window onto the divine. While only one of the movies here makes it to his 200+ list of spiritually thought-provoking films, I think each of them in its own way raises spiritual themes that the Christian Faith might speak to.)

5. Meetings with Remarkable Men. Directed by Peter Brook (1979). Hands down one of the strangest movies I've ever seen. Based on a semi-autobiographical book by an obscure Greek-Armenian mystic named G. I. Gurdjieff, the film is a fragmented series of episodes and dialogues that traces Gurdjieff's journey through Central Asia looking for spiritual enlightenment and esoteric knowledge. It culminates with his initiation into a mysterious brotherhood of mystics. I had a friend in university who was a self-styled Gurdjieffian searching for esoteric knowledge himself, and who roped me into watching it with him. I wish I had known then what I know now: that in Christ, God's hidden wisdom and knowledge have been made public in the open scandal of the cross (Col 2:1-3). What talks we might have had then.

4. Walkabout. Directed by Nicholas Roeg (1971). The story of two British schoolchildren, abandoned in the outback of Australia and befriended by a silent aboriginal boy on walkabout who helps them survive. With a lot of surreal, dream-like footage of the Australian landscape, and a lot of drawn-out, wordless interactions between the three children, it asks a lot of the audience, and the ending is anyone's guess. It struck me at the time as a kind of "return to Eden/back to innocence" story wrapped up (ironically) in a poignant and painful coming of age story. Maybe it's the kind of back-to-Eden story we should hear more often.

3. Joe vs. The Volcano. Directed by John Patrick Shanely (1990). Though this is probably the one movie Tom Hanks and Meg Ryan would like to call a mulligan on, I found something strangely appealing about this campy story of a man's journey to find his inner hero. A satire of western capitalism, an allegory about the modern search for meaning, a quest story about finding inner wholeness by confronting our fear of death, it asks the kind of questions about the spiritual life that Christians should be engaging, I think, with the answers of Christ. (You can click here for a hypertext film-study I designed for teaching this movie in my grade eleven English classes.)

2. Far Away, So Close. Directed by Wim Wenders (1993). A film about fallenness and grace and incarnation, it tells the story of an angel who becomes human in an instant (to save a boy falling off a balcony), and who then finds himself on a quest for experience and redemption in his new life in the flesh. Apparently angels can only see in black and white, and can hear everyone's thoughts at once, which makes for some pretty evocative scenes moving in and out of colour with all sorts of mumbled lines in different languages coming at you all at once. It's the kind of film you could wear your beret to if you want.

1. Babette's Feast.Directed by Gabriel Axel (1987). Critically acclaimed and demonstrably brilliant, this is the only movie on this list that I would endorse as a must see. It tells the story of Babette, an extraordinarily gifted chef de cuisine and Parisian restaurateur who has been living incognito as a simple cook to two elderly sisters in a small, rustic fishing village in Denmark. When Babette wins 10,000 francs in a lottery, rather than return to Paris, she choses to spend the money on a lavish banquet for the villagers. Though they are woefully ignorant of the luxury they are being treated to, a spirit of genuine fellowship settles over them through the course of the meal, exposing and healing some deep-rooted hurts and bitterness in the community. Funny, moving, and evocative, this film asks powerful questions about the spirituality of food, and table-fellowship, and hospitality and art (and for the Christian, it also suggests poignant questions about the meaning of the Eucharistic meal, where Christ invites his community to find reconciliation and healing at a table laid with the extravagant feast of his own poured-out life).