There's a Trick of the Light I'm Learning to Do

This is a collection of songs I wrote and recorded in January - March, 2020 while on sabbatical from ministry. They each deal with a different aspect or expression of the Gospel. Click on the image above to listen.

Three Hands Clapping

This is my latest recording project (released May 27, 2019). It is a double album of 22 songs, which very roughly track the story of my life... a sort of musical autobiography, so to speak. Click the album image to listen.

Ghost Notes

Ghost Notes
A collections of original songs I wrote in 2015, and recorded with the FreeWay Musical Collective. Click the album image to listen.

inversions

Recorded in 2014, these songs are sort of a chronicle of my journey through a pastoral burn-out last winter. They deal with themes of mental-health, spiritual burn-out and depression, but also with the inexorable presence of God in the midst of darkness. Click the album art to download.

soundings

soundings
click image to download
"soundings" is a collection of songs I recorded in September/October of 2013. Dealing with themes of hope, ache, trust and spiritual loss, the songs on this album express various facets of my journey with God.

bridges

bridges
Click to download.
"Bridges" is a collection of original songs I wrote in the summer of 2011, during a soul-searching trip I took out to Alberta; a sort of long twilight in the dark night of the soul. I share it here in hopes these musical reflections on my own spiritual journey might be an encouragement to others: the sun does rise, blood-red but beautiful.

echoes

echoes
Prayers, poems and songs (2005-2009). Click to download
"echoes" is a collection of songs I wrote during my time studying at Briercrest Seminary (2004-2009). It's called "echoes" partly because these songs are "echoes" of times spent with God from my songwriting past, but also because there are musical "echoes" of hymns, songs or poems sprinkled throughout the album. Listen closely and you'll hear them.

Accidentals

This collection of mostly blues/rock/folk inspired songs was recorded in the spring and summer of 2015. I call it "accidentals" because all of the songs on this project were tunes I have had kicking around in my notebooks for many years but had never found a "home" for on previous albums. You can click the image to download the whole album.

blogs I follow

random reads

Readings, 2020

Readings, 2020
Paradise Lost, John Milton

Adorning the Dark, Andrew Peterson

The Soul of Shame, Curt Thompson

Cure for the Common Life, Max Lucado

Halos and Avatars, Craig Detweiller, ed.

Fool's Talk, Os Guinness

Brendan, Frederick Buechner

The Screwtape Letters

Surprised by Joy, C. S. Lewis

The Pilgrim's Regress, C. S. Lewis

Becoming Whole, Brian Finkert and Kelly Kapic

Real Sex, Lauren Winner

Out of the Silent Planet, C. S. Lewis

Voyage to Venus, C. S. Lewis

That Hideous Strength, C. S. Lewis

Till We Have Faces, C. S. Lewis

Screwtape Proposes a Toast, C. S. Lewis

The Medicine (or: where have you been all my life Mr. McMillan?)

About a month ago a friend of mine suggested I check out John Mark McMillan's latest CD called The Medicine. I've been pretty disillusioned with the "Worship Music" genre generally these days (my glowing review of Downhere last August not withstanding), so I have to say I put it in my stereo with not a little skepticism.

But somewhere around the middle of track 2, I knew I'd found a keeper. Lines that stopped me dead in my tracks tumbled out of the speakers with a pathos and humility and honesty that spoke to the the heart and the gut and the head all at once. Lines like: "We want your blood to flow inside our bodies / We want your wind inside our lungs."

Or: "When you walk into the room you know we can't resist / Every bottle of perfume always ends up on the floor in a mess"

Or:

"Cause I'm a dead man now
With a ghost who lives
Within the confines of
These carbon ribs
And one day when I'm free
I will sit
The cripple at your table
The cripple by your side"

They once asked the poet Philip Larkin why he wrote poetry, and he said something like: "Because no one's writing the kind of poems I most want to read." I always felt that answer explained why I tried to write songs-- no one was writing the kind of songs I most wanted to hear. I guess I'll have to find a different answer, maybe, now, because there's something happening on this disc I've been looking for, musically and lyrically speaking, for a while now.

And if your curiosity's not yet piqued, I'll leave you with this small sample:

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