![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixnyrYBtonno_2uMR3piROqGlv0guJfE87qgJCbNigXLI_1GrLGvdG8_5aIcys0E6s2bpqQGSX1M4AdQHpFRR84Gj05o8Mkg79x1vmOOQF7TIVxc5pLCRUKnBlymACLCKUxMMlWmkh6bEd/s200/the-stone-table.jpg)
This is all well-deserved, in my mind. There was something about this man’s work
that rang true, and shone clear, and lingered sweetly on the palate. He had a way of putting things succinctly and
arrestingly; he often left you saying “but of course!” before you
even knew what you were assenting to. His fiction, especially, was vivid and engaging and uniquely
imaginative. I don’t begrudge him his
place in the Evangelical heart for one minute.
I’m just a little bit surprised by it, is all.
I say this because when you read the breadth of his work, he often covers ground that most conservative North American Evangelicals would find a bit disorienting, to say the least. They certainly would have a generation ago, anyways, back when C. S. Lewis’ name was still in the process of becoming a household word. He toys with the idea of purgatory in The Great Divorce (toys, but never lands on it); he more or less comes out as a theistic evolutionist in The Problem of Pain; he wonders out loud about the very real possibility of salvation apart from Christ in The Last Battle; he more-or-less rejects the “perseverance of the saints” (i.e. the doctrine of once saved always saved) in The Screwtape Letters.
I say this because when you read the breadth of his work, he often covers ground that most conservative North American Evangelicals would find a bit disorienting, to say the least. They certainly would have a generation ago, anyways, back when C. S. Lewis’ name was still in the process of becoming a household word. He toys with the idea of purgatory in The Great Divorce (toys, but never lands on it); he more or less comes out as a theistic evolutionist in The Problem of Pain; he wonders out loud about the very real possibility of salvation apart from Christ in The Last Battle; he more-or-less rejects the “perseverance of the saints” (i.e. the doctrine of once saved always saved) in The Screwtape Letters.
To be clear, in pointing these things out, I am not trying
to state my own view on any of these issues, which would take many blog posts
each to cover. I’m only saying that none
of these positions reflected the Evangelical party-line back in the late 50s
and early 60s when C. S. Lewis was planting the flag of Narnia firmly in the
territory of Evangelical affections.
Which makes the authority he holds today a bit surprising. In the aforementioned sermons that quote
Lewis, often just referring to him is enough to settle the homiletical issue in
question. You don’t even have to give
the quote, you can just say something like, “And like C. S. Lewis says, after
all, God is not a tame lion...” and that usually says it all.
One of the more prominent examples of this—conservative Evangelicalism’s
embrace C. S. Lewis despite his apparently heterodox position on many
conservative Evangelical sacred cows—is seen in the sacrifice of Aslan in The Lion, the Witch and the Wardrobe.
In case you’ve not read the book, or forget, here’s the
nutshell: the boy Edmund, a first-class
stinker all round, betrays his brother and sisters to the White Witch, because
he’s eaten some of her enchanted food and wants more. Aslan rescues Edmund from the Witch’s clutches, but the Witch demands that Aslan surrender
Edmund back up to her, as her rightful property. Interestingly, Aslan acknowledges the Witch’s
claim on the boy, but rather than losing Edmund, he gives himself in Edmund’s
place. The Witch kills Aslan, thinking
she’s won, only to have Aslan come to life again the next morning, resurrected and victorious.
Here's the crucial exchange where the Lion and the Witch settle Edmund's fate:
"You have a traitor there, Aslan," said the Witch. Of course everyone present knew that she meant Edmund. But Edmund had got past thinking about himself after all he'd been through and after the talk he'd had that morning. He just went on looking at Aslan. It didn't seem to matter what the Witch said.
"Well," said Aslan. "His offence was not against you."
"Have you forgotten the Deep Magic?" asked the Witch.
"Let us say I have forgotten it," answered Aslan gravely. "Tell us of this Deep Magic."
"Tell you?" said the Witch, her voice growing suddenly shriller. "Tell you what is written on that very Table of Stone which stands beside us? Tell you what is written in letters deep as a spear is long on the firestones on the Secret Hill? Tell you what is engraved on the sceptre of the Emperor-beyond-the-Sea? You at least know the Magic which the Emperor put into Narnia at the very beginning. You know that every traitor belongs to me as my lawful prey and that for every treachery I have a right to a kill."
"Oh," said Mr Beaver. "So that's how you came to imagine yourself a queen - because you were the Emperor's hangman. I see."
“Peace, Beaver," said Aslan, with a very low growl.
"And so," continued the Witch, "that human creature is mine. His life is forfeit to me. His blood is my property."
"Come and take it then," said the Bull with the man's head in a great bellowing voice.
"Fool," said the Witch with a savage smile that was almost a snarl, "do you really think your master can rob me of my rights by mere force? He knows the Deep Magic better than that. He knows that unless I have blood as the Law says all Narnia will be overturned and perish in fire and water."
"It is very true," said Aslan, "I do not deny it."
"Oh, Aslan!" whispered Susan in the Lion's ear, "can't we - I mean, you won't, will you? Can't we do something about the Deep Magic? Isn't there something you can work against it?" "Work against the Emperor's Magic?" said Aslan, turning to her with something like a frown on his face. And nobody ever made that suggestion to him again.
Maybe you can see where Lewis was going with this? He always denied that he was writing allegory
per se, but he was a Medievalist, and
probably meant that in the technical sense of the word “allegory.” It’s not near so linear as Pilgrim’s Progress, to be sure, nor so
blunt as Everyman, nor so cumbersome
as Romance of the Rose; granted. But in a looser sense of the term, this has
allegorical signification oozing out the pores.
To say the Witch is the Devil, Aslan is Christ, and Edmund is sinful
humanity does no violence to the narrative.
If that’s the case, it bears noting that the operative
theory of the atonement here—which seems to be a Narrative Christus Victor—is
actually quite different from the standard Evangelical presentation of the
Gospel, which has tended to emphasize Penal
Substitution almost exclusively. A bit
of glossary may help here: a “theory
of the atonement” is a way of explaining how Christ’s death on the cross was a
saving event—how the cross saves. The
Christus Victor theory of the atonement (Latin for “Christ the Victor”) focuses
especially on the idea that Christ won an unexpected and decisive victory over
Sin, Death and the Devil when he died on the cross, paying our ransom and freeing
us from their power. The Penal
Substitution theory of the atonement focuses on the idea that Christ stood in
as our substitute, taking the punishment for our sins in our place on the
cross. Historically, Evangelicals have
emphasized Penal Substitution, almost to the exclusion of all other theories of
the atonement, in their traditional explanations of the cross.
If you’re only a Narnia fan and not a theology fan, you
may be wondering what’s the big deal? So
let me point out that in Penal Substitution (at least in most traditional expressions
of it), the debt of sin is owed by sinful humanity to God himself, and the punishment (again, in most traditional
expressions of it) is God’s own just judgement on sin.
In Christus Victor, however, the cross is not about paying a debt,
but paying a “ransom.” Ransom, of
course, is paid to a captor to free a captive, and in most Christus Victor
theories of the atonement (at least among the Church Fathers, whom
Lewis read and knew), the ransom was paid not so much to God himself as
to the enemy of our souls, the very real White Witch: the satan. The cross is an unexpected victory over Satan, because
Satan believed he won in killing Christ only to be defeated the
third day when Christ rose again.
If Christ did indeed pay a debt he did not owe to pay a debt I could not pay, the
question here is, to whom did he pay the
debt? To God, or to the devil? Penal Substitution has a clear and
unambiguous answer to this question: the
Cross is God’s gracious means of satisfying God’s own righteous wrath towards
sin. Christus Victor is less clear: the Cross is God’s gracious plan to pay our ransom and defeat
our captor, freeing us from his power.
Like I’ve said, North American Evangelicalism has
traditionally defaulted to Penal Substitution (though
this is changing: these days Christus Victor, Scapegoating, and Moral Influence are
all becoming predominant atonement motifs in Evangelical theology, but Penal
Substitution is still, probably ascendant in most popular level gospel
presentations). This is why it’s
interesting to me that The Lion, the
Witch and the Wardrobe has earned such a sacred place in the Evangelical
imagination, because Lewis’ theory of the atonement here is not Penal
Substitution. Not exclusively, anyways,
nor even especially. Aslan is paying Edmund's debt to the White Witch, who, in the
allegorical world of Narnia, has a real
claim on the boy’s life (a claim granted her by the “Emperor over the Sea,”
sure, but that raises other thorny theological issues about the relationship
between God and the satan that wouldn’t make for good bedtime reading....)
Personally, my predominant atonement motif focuses on the recapitulation, a theme that comes from ancient theologians like Irenaeus and is comfortable with both Penal Substitution and Christus Victor working side by side. But that's another post for another day.
For today, let me just offer two humble "so what's" to this close reading of the operative atonement theology in the allegorical world of Narnia. First: you can't think too seriously for too long about what happened that day on the Stone Table in Narnia, before all sorts of difficult questions bob to the surface: to whom was my debt owed, really? Did the satan really have any legitimate claim over anything in the Creator's world? And if so, how and why? There are no easy answers to any of these questions, but they make for some good wrestling. Growing Christians would do well, I think, to take a round on the mat with them once in a while, if for no other reason than for the exercise.
But second: it's more than just exercise. How we explain the cross, as Christians, is intricately related to how we understand God—who he is, how he loves, how he is sovereign over the world, what his heart is for humanity and what his plan is for the creation. Whether you land with Lewis on this one or not, having an operative theory (or operative theories) of the atonement and being able to articulate it (them) well, is crucial if we want the message of the cross to permeate every aspect of our lives. If we are determined, like the Apostle Paul once put it, to know only Christ, and him crucified, this is not optional theology.
Personally, my predominant atonement motif focuses on the recapitulation, a theme that comes from ancient theologians like Irenaeus and is comfortable with both Penal Substitution and Christus Victor working side by side. But that's another post for another day.
For today, let me just offer two humble "so what's" to this close reading of the operative atonement theology in the allegorical world of Narnia. First: you can't think too seriously for too long about what happened that day on the Stone Table in Narnia, before all sorts of difficult questions bob to the surface: to whom was my debt owed, really? Did the satan really have any legitimate claim over anything in the Creator's world? And if so, how and why? There are no easy answers to any of these questions, but they make for some good wrestling. Growing Christians would do well, I think, to take a round on the mat with them once in a while, if for no other reason than for the exercise.
But second: it's more than just exercise. How we explain the cross, as Christians, is intricately related to how we understand God—who he is, how he loves, how he is sovereign over the world, what his heart is for humanity and what his plan is for the creation. Whether you land with Lewis on this one or not, having an operative theory (or operative theories) of the atonement and being able to articulate it (them) well, is crucial if we want the message of the cross to permeate every aspect of our lives. If we are determined, like the Apostle Paul once put it, to know only Christ, and him crucified, this is not optional theology.
0 comments:
Post a Comment