Books by Dale Harris

Books by Dale Harris
A Feast of Epiphanies

Though I Walk, A Novel

Daytime Moons and Other Celestial Anomalies, a book of poems

Second Wind

Second Wind
An album of songs both old and new. Recorded in 2021, a year of major transition for me, these songs explore the many vicissitudes of the spiritual life,. It's about the mountaintop moments and the Holy Saturday sunrises, the doors He opens that no one can close, and those doors He's closed that will never open again. You can click the image above to give it a listen.

The Song Became a Child

The Song Became a Child
A collection of Christmas songs I wrote and recorded during the early days of the pandemic lockdown in the spring of 2020. Click the image to listen.

There's a Trick of the Light I'm Learning to Do

This is a collection of songs I wrote and recorded in January - March, 2020 while on sabbatical from ministry. They each deal with a different aspect or expression of the Gospel. Click on the image above to listen.

Three Hands Clapping

This is my latest recording project (released May 27, 2019). It is a double album of 22 songs, which very roughly track the story of my life... a sort of musical autobiography, so to speak. Click the album image to listen.

Ghost Notes

Ghost Notes
A collections of original songs I wrote in 2015, and recorded with the FreeWay Musical Collective. Click the album image to listen.

inversions

Recorded in 2014, these songs are sort of a chronicle of my journey through a pastoral burn-out last winter. They deal with themes of mental-health, spiritual burn-out and depression, but also with the inexorable presence of God in the midst of darkness. Click the album art to download.

soundings

soundings
click image to download
"soundings" is a collection of songs I recorded in September/October of 2013. Dealing with themes of hope, ache, trust and spiritual loss, the songs on this album express various facets of my journey with God.

bridges

bridges
Click to download.
"Bridges" is a collection of original songs I wrote in the summer of 2011, during a soul-searching trip I took out to Alberta; a sort of long twilight in the dark night of the soul. I share it here in hopes these musical reflections on my own spiritual journey might be an encouragement to others: the sun does rise, blood-red but beautiful.

echoes

echoes
Prayers, poems and songs (2005-2009). Click to download
"echoes" is a collection of songs I wrote during my time studying at Briercrest Seminary (2004-2009). It's called "echoes" partly because these songs are "echoes" of times spent with God from my songwriting past, but also because there are musical "echoes" of hymns, songs or poems sprinkled throughout the album. Listen closely and you'll hear them.

Accidentals

This collection of mostly blues/rock/folk inspired songs was recorded in the spring and summer of 2015. I call it "accidentals" because all of the songs on this project were tunes I have had kicking around in my notebooks for many years but had never found a "home" for on previous albums. You can click the image to download the whole album.

random reads

4 ways a Middle Earth Worldview is more Biblical

... than our own.  What with The Hobbit's release piquing fresh interest in all things Tolkien at our house, prompting a family movie marathon through the Lord of the Rings and inspiring my daughter to muscle her way through all three books in about two weeks, I've got Middle Earth on the brain these days.

One of the things that struck me forcibly this time through the series, and especially as I unpacked them with our kids, is how different the worldview of the book is from our own.  "Worldview" is a way of describing the psychological underpinnings, the cultural values, the epistemological framework, and the philosophical assumptions that unconsciously guide the way we interact with the world.

The worldview of our modern, western world, for instance, tends to seek instant gratification, places a premium on the image, takes a mechanistic approach to nature, has an evolutionary outlook on life and society, values self-expression and individuality, gives epistemological authority to screens, numbers, results and speed, sees the self as ultimate and the latest as best.

Realizing that each one of the above statements is loaded far beyond the ability of a mere blogpost to unpack, let me just suggest that these things-- instant gratification, the image as prime, nature as machine, the individual as ultimate-- these things are different from a biblical worldview.  When the writers of the Bible looked at the world, they felt different things were of utmost importance.  They made different assumptions about how things worked and what you could reasonable expect out of life. They drew meaning from different source.  They concluded things were "true" based on different criteria.

And then, as an experiment in "worldview studies," let me point out some ways the worldview of the inhabitants of Middle Earth is also very different from our own, but curiously (even unexpectedly) very much like the Bible's.

1.  Older is better.  When Tolkien points out that something is old, it's usually said with reverence, awe, humility and deference; indeed, some of his most poetical passages are devoted simply to describing the age of something.  This is because in a Middle Earth worldview, older is proven; older is wiser; older is tested; older is true.  Our world tends to see the newest and youngest as best-- fresher, original, more innovative--but this is neither a universal nor especially a biblical assumption.  Generally speaking the Bible's worldview, like Tolkien, sees age as venerable (It's not for nothing He's called the Ancient of Days).

2.  Nature is deeply alive.  One of the brilliant aspects of Tolkien's book, I think, is the way he spiritualizes nature without deifying it.  He draws out the deep-down "aliveness" of the natural world without slipping into the ditch of paganism.  In our worldview, we tend to view nature as a dead, cause-and-effect machine that is ours to tinker with (witness the latest talk about "bioengineering" or "geoengineering").  Not so in Middle Earth, where trees, rocks, rivers and creatures alike are vibrant with a life that give them intrinsic worth.  Though it's sometimes overlooked, this too is a biblical worldview.  When Isaiah talks about the trees of the hills clapping their hands and the mountains breaking forth into song, it's a metaphor, but it's no mere metaphor.

3.  Song and Story are authoritative.  No war council in the modern world would have begun by recounting in full detail the story of the enemy's chief weapon, reviewing all the twists of fate and turns of history that brought the allies to the point they find themselves at.  But that is precisely where Elrond starts with the war council of Rivendell, on the assumption that the decisions of the council depend precisely upon their hearing this story.  It always struck me that in the book, great emphasis is placed on Aragorn's ability to recite the legends, songs, lore and stories of Middle Earth, as though his claim to the throne rested as much on this as it did on his skills with a sword.  That none of Aragorn's songs make it into the modern film adaptation of the book is evidence itself that our world draws "epistemological authority" from other sources.

4.  Fellowship, Community and Fealty are profoundly humanizing.  When Merry is sworn in as a guard of Gondor, Denethor promises to reward his "fealty with honour."  When Theoden musters his cavalry for their glorious charge onto the plains of Minas Tirith, he calls on the men to fulfill "oaths they have taken." In his final rousing speech at the Black Gates of Mordor, Aragorn assures his men that "a day may come when we forsake all bounds of fellowship, but it is not this day."  In a world like ours, that so highly values individuality, these appeals to higher commitments that draw us up and out of ourselves may seem like a relic of a bygone time. In Tolkien's world, however, bonds of fellowship, commitment to community, loyalty to causes that transcend the self-- these are things that separate humans from all the other mythical races (it's no coincidence, for instance, that the orcs always end up battling and devouring themselves; nor is it a coincidence that the elves remain so detached from the plight of Middle Earth).  This, too, is very much like the biblical worldview, where community is throbbing at the heart of what it means to be a follower of Jesus.

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